www[dot]pill22[dot]comIsn't it ironic that a spammer would try to make it difficult for a robot (and to some extent for a human being) to figure out the website they are rooting for? Usually, it's email addresses you disguise by spelling out the dots, not URLs.
Anyway, while idly looking around for examples of synesthesia in poetry (Rimbaud, Verlaine and Baudelaire first came to my mind, but I was looking for examples in English), I stumbled upon something I had never heard about in all those years I spent studying/playing early music: the "ocular harpsichord" and the "color organ". It turns out that sound and light shows are not a 20th century invention at all! Jean-Michel Jarre's musical family tree includes people like Telemann or Rameau (late 17th-18th centuries), who wrote pieces for keyboard instruments capable of producing sound and light to go with the sound. Of course, it's not like musicians until then had ignored the emotional power of simultaneous sensory perceptions from different sources (auditory and visual in this case), but I thought it was interesting that it would be synthesized in a single instrument.
Something that I surely must have heard about in all the years I spent studying literary theory and cultural history but just "re-"discovered is Newton's theory of color and music. The theory compares the vibrations resulting in the different color shades on the spectrum and the vibrations resulting in the different musical notes in Western scales. It is schematized in the color wheel, published in Opticks in 1704, on which you can see letters corresponding to a Dorian mode scale starting on D separating the sectors displaying the spectral colors.
Many thanks to Zimbolli (or whoever that was) for piquing my interest and for reminding me that Google, YouTube and Wikipedia are my friends.
No comments:
Post a Comment